It may not be his primary motivation, but the early starts are a grind, leaving him with what he calls “a feeling of fairly permanent jet lag”. So too is the scrutiny of radio ratings, each round of which inevitably produces a state of euphoria or dismay in station management every six weeks or so.
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Not that McMillan – who enjoyed some notable ups and downs over his tenure – was ever all that troubled by them personally.
“Nothing is more brutal than live comedy audiences, so I’ve always been sort of zen-like with the ratings,” he says. “They’re useful, and they’re helpful, and you want them to be good, but I haven’t been impacted by it in the way a lot of people assume. When they go up, a lot of people celebrate really hard. I smile, but I don’t celebrate because they’re up and down. That’s the business.”
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For his comedy mates, the only surprise is that he stuck it out so long. But for those in the broadcasting world, the decision is more surprising. “People see I’ve got a salary and superannuation and consistency, so why would you give that up? But most of my life has been as a freelance clown, and that’s still the thing that drives me, the chance to make stuff.”
A couple of weeks ago, he tried out some new material in front of 40 people in St Kilda. “And I was more nervous about that than I am every day getting up and interviewing the premier or speaking to thousands of people. That’s where I feel there are higher stakes.”
When people come to see him live, they do it to see him. When they tune into Breakfast, he says, “they don’t listen because of me, they listen because of the station, as they should, and as I will keep on doing”.
What he will miss most is being part of a team. “The entire station is full of such smart, funny, wonderful people, and the contest of ideas is ever present,” he says. “The show itself I will miss because it’s a beautiful dance every single morning. But being part of something bigger has been the most special part.”
He leaves, he says, enriched by the experience, and hoping listeners feel the same way.
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“I’ve tried my best to be myself, whilst also really respecting what the listeners want as well. That’s part of the juggle of radio.
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“I came into the job wanting to turn it into a comedy show, and then COVID hit, and I threw that out the window and had to become a broadcaster. And that was a beautiful gift.”
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